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Film and Television

 

Bringing a blend of technical expertise and creative flair to every project, I ensure immersive sound experiences that elevate storytelling. Having contributed to award-winning feature films, my proficiency in 5.1 surround sound mixing and sound design for film and television ensures an unparalleled auditory journey. 

MIDWEST SKIDMARK​

Feature Film | Directed by Phillip Dixon

Midwest Skidmark is a feature-length film that follows a Midwestern biracial college graduate and his Guatemalan best friend as they relive their adventurous college days during one final weekend together. I handled the complete scope of post-production sound, including sound design, ADR, Foley, music direction, mixing, and mastering. The film won an award at the Los Angeles Film Awards in 2024 and marked a milestone project that launched my transition into professional film, commercial, and visual media audio engineering.”

Midwest Skidmark Film

My Role on This Project

  • Composed original music used throughout the film

  • Led the complete post-production audio process from start to finish

  • Recorded and engineered ADR sessions for dialogue replacements

  • Designed and performed Foley for props, movements, and environments

  • Directed music integration and balanced the score within the mix

  • Handled full mixing, leveling, and mastering for cinematic quality

  • Delivered a polished and immersive soundscape supporting the story

My Role on This Project

  • Designed and mixed all environmental soundscapes, including interior and exterior atmospheres

  • Created and blended prop-based sound effects such as engines, impacts, and movements

  • Performed Foley design for surface interactions and detailed textures

  • Directed and engineered ADR sessions for natural vocal performance

  • Integrated and balanced the score seamlessly with ambient layers

  • Built a fully immersive audio environment entirely in post-production

GUPPY


Short Film


 Directed by Joel Brown

Guppy is a short film directed by Joel Brown, shot entirely as a silent project so that every sound could be created and added in post-production.

 

I was invited to handle the complete sound design and mix, building the entire audio environment from the ground up.

Every sound you hear, from Foley and ADR to ambient layers, samples, and music integration, was designed, recorded, and blended to make the world feel naturally captured.

 

In a few key moments, I added additional effects to create tension and dynamic impact, while the rest of the soundscape was carefully crafted to blend seamlessly into the storytelling

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